Coelynn McIninch

Artist Statement

I have willingly sacrificed my senses to technology.

It is by a force-of-will that an individual becomes absorbed in the illusion of cyberspace. The illusion is obvious but we are still fascinated. It is this narcissistic, self-seduction directly contrasted with the basic human need for sensory stimulation that directs my current works. I choose to use digital video and digital photography specifically because of their lack of physicality, the pliability of the imagery the potential for illusion.

By projecting moving imagery back onto the stationary material that was used to shoot the video I am referencing the diffraction of time, space and physical form that are constant aspects of cyberspace. Also, the curiously human drive to enhance, store and preserve reality even beyond the constraints of a human life-span.

The digital portraits are part of a series that directly references the absence of the physical senses in technologically mediated communication. The eyes, mouth, nose or ears are removed. In the photo “lifeless” I have made a more subtle removal of the major lines of the hand: life, head, heart and fate lines have been erased representing the non-existence of life, cognition, emotion and destiny within the digital realm. All that remains are the fingerprints as identifying marks of the individual; a play on the myth of the index in digital capture. These are all presented on a monitor, as it is the natural home for these purely digital creations.

When choosing materials for my work, I find myself attracted to the smooth, sensual, cool and shiny with a subtle color palate and graceful lines. I am seduced by reflections, shadows and illusions. Admittedly, my continued study of technology and intangibility has sparked a healthy nostalgia for un-mediated sensory experience and social interaction but I can’t help but be fascinated by the sensual manipulations of technology.

In a world full of intangibility we willingly suspend disbelief and embrace fascination.

Because, truthfully, who doesn’t love a good game of seduction and illusion?